Gunpowder Milkshakes: A Movie Worth Watching Or Not?

What would you say if I told you that there was a new movie out called Gunpowder Milkshakes? Would it sound like something you’d be interested in seeing or just another run-of-the-mill thriller with no substance whatsoever? Here’s everything you need to know about the movie.

Detailed Review Of Gunpowder Milkshakes:

The father of two-year-old Sam has been murdered, and the boy is faced with taking on his family business: working as an assassin for a mysterious organization called The Firm. For 15 years she has wondered what happened to her mother after a sequence of revenge kills caused her to run away. Her daughter never forgave for leaving her in the care of Nathan from the Firm when she was just six years old.

Now all grown up and working for The Firm, Sam finds herself in trouble when her bad intel leads to bad decisions that leave her with a young child, Emily (Chloe Coleman), in her care. Ultimately Sam turns to the Librarians Florence (Michelle Yeoh), Anna May (Angela Bassett), and Madeleine (Carla Gugino) the group of women who store weapons inside books.

In a world full of bad men coming after them, Sam is going to need the power old acquaintances can offer.

Source: Metaflix.com

Director Navot Papushado injects “Gunpowder Milkshake” with a bit of classic action and fantasy, but it also has its moments of intrigue. Shot in Portland for 14 days, the production features some unexpected quirks that are both interesting and not always successful. Yet those imperfections don’t sink the movie fueled by an intense look at mother-daughter dynamics.

Although the story is a little lackluster, Papushado and Ehud Lavski are entertaining enough to make up for it. The film suffers from indulgent father characters who take away from what could have been more emotionally

Although the story is a little lackluster, Papushado and Ehud Lavski are entertaining enough to make up for it. The film suffers from indulgent father characters who take away from what could have been more emotionally substantial scenes.

The movie is still worth watching for those looking to get a glimpse into the Israeli cinema landscape, and with any luck, it will make up for its shortcomings in the awards season.

While the movie’s fight scenes might not be as impressive as other movies, some of them are set in interesting locations, as a bowling alley lit with neon lights. That moment might not make up for a duller chunk of the movie, but it certainly helped speed along the more bloated moments.

The Diner in “Gunpowder Milkshake” has many parallels with the Continental, which is familiar to moviegoers who have seen John Wick and its sequels. Like Reeves, Gillian tries to create a stoic protagonist; but her choice of character does not achieve the same result because doesn’t really feel drawn towards him as we do for Reeves.

The world of “Gunpowder Milkshake” is overtly ridiculous, and it takes a lot more suspension of disbelief than previous Wick films. Although gun-wielding librarians may sound like a fantastic concept on paper, the actresses behind them never really get to showcase their talents until the end when they are thrust into a climactic fight scene.

“Gunpowder Milkshake” also shares some similarities to Marvel’s “Black Widow.” Both present girl-powered feminism but only through the path of violence. To excel in these worlds, the women must be deadlier than the men. The men around our heroines are at best inept, at worst villainous; a kind of condescending simplicity that takes away our heroines’ right to fight with their equals.

The movies serve as a strange half-empowerment message but do not explore the implications of training young girls into killers from any angles. They only briefly touch on topics like motherhood and family with more focus given to mediocre fight scenes and forgettable leading roles for its stars.